Sandrone, the seventh of the Eleven Fatui Harbingers, arrives as a playable Cryo Claymore character in Genshin Impact after years of buildup in the story. Once she is on your roster, her character menu holds a set of voicelines where she comments on people she has crossed paths with across Teyvat. These lines cover fellow Harbingers, figures from her past in Fontaine, and characters the Traveler already knows well.
Quick answer: Sandrone has recorded voicelines about Citlali, Lynette, Alain Guillotin, the Tsaritsa, the Jester (Pierro), Il Capitano, Il Dottore, Columbina, Arlecchino, the Rooster (Pulcinella), the Regrator (Pantalone), Rosalyne (Rosalyne-Kruzchka Lohefalter), Childe, and Wanderer. Open her character screen and select the Voice-Over tab to hear them.
Sandrone’s voicelines about fellow Fatui Harbingers
Sandrone spends much of her dialogue on the people she works alongside in Snezhnaya. Her tone shifts sharply depending on who she is describing, ranging from professional respect to open hostility.
About the Tsaritsa
Even I still get bothered by the errors in my heart, but Her Majesty the Tsaritsa… How did she manage to freeze her emotions so completely?
As a puppet built with an artificial consciousness, Sandrone admits she is still troubled by what she calls the errors of her own heart. She contrasts that with the Tsaritsa, whom she sees as having frozen her emotions entirely.
About the Jester (Pierro)
Always issuing orders… Somehow, the world reflected in his eyes seems farther away than it does with anyone else. The first time I saw him, I knew this world had taken too much from him.
Sandrone reads the Jester through his eyes, sensing that the world took a great deal from him over the course of his life.
About the Captain (Il Capitano)
Everyone knows Il Capitano doesn’t like to remove his mask, but it doesn’t stop him from finishing his tea whenever we get together.
Her line about Il Capitano is warm by her standards. She notes that his mask never gets in the way of their shared tea gatherings.
About the Doctor (Il Dottore)
You might want to cover your ears. I’m afraid I won’t be able to control my emotions.
The mention of Il Dottore triggers open anger. Their conflict runs deep, rooted in opposing views on scientific ethics, and it was Dottore who destroyed her mechanical core during the events in Nod-Krai.
About Columbina
Columbina used to drive me up the wall — to be honest, she still does. I thought life would be quieter without her around. Who knew I’d find myself getting more annoyed once she wasn’t here! Ugh, it’s infuriating!
Sandrone has two separate lines about Columbina. The first covers how much Columbina annoyed her, and how oddly that annoyance grew once they were no longer together. The second turns reflective as she considers Columbina’s happiness.
She’s living such a happy life right now. Her family and friends are by her side, and she gets to go traveling whenever she’s free… Why can’t I have that kind of fortune? Oh, forget it, I’m not jealous. We all know she deserves to be happy.
Here she wonders aloud whether she could ever have a life as content as Columbina’s, letting a small flash of envy slip through before she brushes it aside.
About Arlecchino
Arlecchino is a woman of her word. She acts decisively, and you can trust her to get things done. Purely from a professional standpoint, it would be nice if all my colleagues could try to emulate her.
Sandrone holds clear respect for Arlecchino, praising her reliability and professionalism and wishing more of the Harbingers behaved the same way.
About the Rooster (Pulcinella)
He’s the chairman of the Snezhnograd Veche, though he often feels more like… its overseer. Every vote cast in the Evaluation Council affects the interests of countless factions. Reconciling so many competing concerns can only be achieved by the shrewdest of operators. Once you understand this, you start to realize just how terrifying he really is.
She frames the Rooster as a genuinely frightening operator, pointing to his role balancing the many factions of Snezhnaya from his seat at the Snezhnograd Veche.
About the Regrator (Pantalone)
You would think his relationship and dealings with Dottore would have been properly investigated from the start, right? Why did it take ten times longer for my research funds to be granted than that lunatic Dottore’s? It’s clear there was something shady going on! I even asked Pantalone about it to his face! He looked right at me with that stupid smile and said, “Oh my, has our Lady Sandrone finally developed an interest in finances? I can recommend a few books if you’d like — maybe you should start with ‘100 Phrases to Teach You Manners.’”
Sandrone is still bitter about how slowly her research funding was approved compared to Dottore’s. When she confronted Pantalone, he brushed her off with a jab about a book on manners.
About Childe (Tartaglia)
Another pain in the… well, everything. He could happily just spend his days with his brothers and sisters — why insist on becoming a Harbinger at all? And when will he get it into his thick skull that not everyone is always looking for a fight?
Her patience with Childe is thin. She thinks he could have stayed home with his siblings, and she wishes he would grasp that not everyone shares his appetite for a fight.
Sandrone’s voicelines about her creator and past
Some of Sandrone’s most revealing lines reach back to Fontaine, where she was built by the engineer Alain Guillotin in the image of his deceased sister, Mary-Ann Guillotin. Her line about Alain is one of the quieter and more personal moments in her voice set.
About Alain Guillotin
After Alain died, I put up a tombstone for him. When he was alive, he said he wanted me to write his epitaph. So I did. It wasn’t difficult — list out his deeds, then pick a quote that captures the way he thought. I went with, “Regrettably, there’s nothing more to say.” It was something he often said. You think it sounds fatalistic? Hah, maybe to those who didn’t know him. But he always said it with a smile. It wasn’t resignation — he wasn’t giving up. Ironically, it was almost like an expression of contentment. Like solving a mathematical problem. Death is just a silent equals sign, and he’s moved to the other side of the equation.
Sandrone describes writing Alain’s epitaph at his request. She chose a phrase he repeated often, “Regrettably, there’s nothing more to say,” and explains that he always said it with a smile rather than any sense of defeat. Her math-tinged reading of his death fits her habit of interpreting the world through the lens of numbers and equations.
About Rosalyne
She always lived for herself. She loved in her own way, and hated in her own way, too. No wonder she burned out so fast. Still, her flame shone with a unique hue until the moment it flickered into nothing.
On Rosalyne, Sandrone speaks with a kind of respect for a person who lived, loved, and hated entirely on her own terms, shining brightly right up to the end.
Sandrone’s voicelines about characters you already know
A few of Sandrone’s lines cover characters the Traveler has already met on the road, including two from Fontaine and one from Natlan.
About Citlali
That great shaman seems nice. Is she really very old? Still seems like she’s got plenty of energy to me — though she does get a little too worked up sometimes. What do I mean? Oh, well, recently, I was talking to her about you and me going underwater to look for something… and before that, I told her you were in Nod-Krai helping Columbina get her name back… She got so animated, her face turned bright red. I wonder if it has something to do with her age…
Sandrone speaks kindly of Citlali, describing her as lively and energetic. She also notes, without quite understanding why, how Citlali’s face reddens whenever the Traveler comes up in conversation.
About Lynette
I don’t know how she does it! That cat-girl always seems to find the weakest spot in every machine and then… beh, broken. I wish her brother would have a word with her. *sigh* Nevermind… I guess it’s a talent, really. Maybe I should have her help me stress test my future creations. If my machines can’t survive her curiosity, what chance do they have in battle?
Sandrone is struck by Lynette’s knack for breaking her inventions. Rather than being frustrated, she treats it as a talent and considers recruiting Lynette to stress test her future machines.
Every Sandrone voiceline at a glance
Here is a summary of who Sandrone comments on and the core sentiment behind each line.
| Character | What Sandrone thinks |
|---|---|
| Citlali | Finds her nice and energetic; puzzled by how she blushes at mention of the Traveler |
| Lynette | Impressed by her talent for breaking machines; wants her to stress test creations |
| Alain Guillotin | Wrote his epitaph; reflects on his outlook with warmth and a mathematical framing |
| The Tsaritsa | In awe of how completely the Tsaritsa froze her emotions |
| The Jester (Pierro) | Sees a man from whom the world has taken too much |
| Il Capitano | Values their tea gatherings despite his mask |
| Il Dottore | Open hostility; cannot control her emotions when he is mentioned |
| Columbina | Annoyed by her yet misses her; a touch envious of her happy life |
| Arlecchino | Deep professional respect; a woman of her word |
| The Rooster (Pulcinella) | Considers him terrifying as an overseer of Snezhnaya’s factions |
| The Regrator (Pantalone) | Bitter over delayed research funds and his dismissive reply |
| Rosalyne | Respects how she lived and loved entirely on her own terms |
| Childe (Tartaglia) | Finds him tiresome; wishes he would stop seeking fights |
How to hear these voicelines in-game
Taken together, these lines paint Sandrone as far more layered than her cold, research-obsessed reputation suggests. She carries clear grudges toward Dottore and Pantalone, quiet respect for Arlecchino and Il Capitano, and a surprising well of feeling for Columbina and her late creator, Alain. For a character defined by mathematics and machinery, her voice set leans heavily on the errors of the heart she can never quite resolve.
